AMD Puts Open Standards Acceleration Behind Adobe Software

AMD and Adobe have now developed hardware acceleration and improved
the performance of functions in Premiere Pro CC and Photoshop CC software.

AEAF Entry Deadline 19 June

AEAF Online Festival 2013 Latest entries

MacQuébec Streams Live at WWDC 2013 with Wirecast

MacQuébec used Telestream Wirecast live video production software
to stream a live broadcast of the Apple Worldwide Developers
Conference 2013 to international audiences.

RSS Production & Mistika Bring Real-Time Stereo Post to Russia

RSS Production in Moscow aims to overcome Russian producers’
slow uptake of stereo 3D to meet audience demand, purchasing
the SGO Mistika for film, TV and live productions.

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Avalon Studios Produces NZ’s Film & TV on Zytech

Avalon Studios in NZ runs and controls its 2.45ha complex of TV
and film stages, control rooms, post facilities, cameras, lighting,
crew and helipad on Xytech Media Pulse Express platform.

PipelineFX Qube! 6.5 Raises Render Farm Intelligence

PipelineFX Qube! 6.5 render management software has new tools
for job tagging, configuration and cost reporting, plus improvements
to pipeline intelligence functionality.

Sony PMW-300 Brings High Bit Rate, Low-light Shoots to Broadcast

Sony PMW-300 develops the PMW-EX3, recording 50Mbps HD
in MPEG HD422, with 1/2"-type 3CMOS sensors able to capture
low-light images plus many new shooting options.

TriCaster 40 Updates HD TV-Style Broadcasting on a Budget

New updates for NewTek TriCaster 40, made for small teams,
include customizable animated transitions, network-style titles
and graphics and improved file interoperability.

Broken Antler Takes Off with BB2’s 'Watson & Oliver' Titles

Broken Antler created the new titles for BBC 2 comedy programme
'Watson & Oliver' Series 2, resulting in a colourful exploding collage
of elements using a very original set of tools.

NVIDIA Quadro K4000 and Pixomondo Take Star Trek Out of Darkness

Pixomondo used NVIDIA Quadro K4000 cards to accelerate their
CG asset creation and manipulation pipeline for massively scaled
action scenes in ‘Star Trek Into Darkness’.

Future Reality Becomes Autodesk Bronze Channel Partner

Future Reality is now a Bronze Autodesk Channel Partner servicing
media and entertainment customers in Australia.

PluralEyes 3.2 for Windows Automates Audio/Video Sync

PluralEyes 3.2 for Windows is a update that adds a new visual timeline
compatible with Sony Vegas Pro to Red Giant’s audio/video syncing
software.

RAI Speeds Giro d'Italia Signals with Riedel Fibre Network

Broadcaster RAI maintained real-time distribution of audio, video
and comms signals throughout mobile coverage of the 2013 Giro
d'Italia cycle race with Riedel networks.

One Direction Tour Gets a Live Switch from Blackmagic’s ATEM

Pop band One Direction's world tour runs on an AV control system
based on Blackmagic Design infrastructure with the ATEM 2 M/E
Production Switcher and Videohub router.

Cooke Optics Supports Demand for Anamorphic/i & PL Lenses

Cooke Optics will expand its factory and workforce to fill a growing
demand for their hand-crafted Anamorphic/i lenses and PL glass.

ScopeBox 3.3 Connects on After Effects/Premiere Pro Timelines

ScopeBox 3.3 is now updated with ScopeLink, directly connecting
ScopeBox video monitoring, capture and analysis to timeline output
of AfterEffects, Premiere Pro or Prelude.

Digital Pulse Welcomes New Director & Producer

Production studio Digital Pulse in Sydney has appointed Tracey Taylor
as Executive Producer and Fabio Nardo as its new Creative Director.

SMPTE13 Conference Spans Broadcast & Production

The Society of Motion Picture & Television Engineers has announced
the conference program for SMPTE13, 23 - 26 July 2013 at Sydney
Exhibition Centre, Darling Harbour.

Framestore’s Digital Team Welcomes Christine Cattano in NY

Digital Producer Christine Cattano has joined Framestore at their
New York office to work as production lead for all of the company’s
digital and integrated projects.