HDR Video Streams Direct to Mobile Devices in Real Time
A research group at University of Warwick have devised a method of compressing, 
encoding and streaming HDR video directly to monitors and mobile devices in real time.
Dubsat Automates OP-59 Audio Loudness Control for TVCS
The Dubsat MediaPro Extreme desktop application automatically fixes TVCs 
that fail to meet the upcoming industry standard OP-59 audio loudness
specification for ads.
Cinegy Multiviewer 9.3 Improves H.264 Encoding to HD 4:2:2
Cinegy Multiviewer 9.3 monitors and analyzes video and audio streams, generating 
and sending alarms in various formats when streams fall outside defined parameters.
Austin City Hits the Limit with Avid Audio/Video Integration
When TV music show Austin City Limits opened a second facility, the team 
adopted an all-Avid workflow to update mixing and closely integrate audio
and video recording and editing.
Matrox Supports Avid Media Composer 6.5 Across I/O and Encoding
Matrox has released a unified driver on the PC that provides support for the latest 
Avid Media Composer products and Adobe CS6 Production Premium.
Digital Rapids Kayak Delivers Turner to Multiple Screens
Turner Broadcasting System is using the Kayak dynamic workflow platform media 
processing operations for its current and future multi-screen video initiatives.
Aspera Moves amana group’s Media Content at High Speeds
amana holdings, a group of visual communication businesses based in Japan, is 
running its file transfer and workflow management system on the Aspera
Connect Server.
Southpaw DAM Solution Suite Puts TACTIC to Work
Southpaw Solutions DAM tools are built on top of the TACTIC system’s core ![]()
architecture, and work inside a company’s IT environment and content workflow.
Telestream and Matrox Join on Multi-Camera & Live Streaming
Matrox VS4 HD capture card works with Telestream Wirecast webcasting software 
with four HD-SDI inputs in a PCIe slot and eight audio channels per SDI source.
Videocraft Produces Mobile Highlights for Down Under Cycle Race
Videocraft produced a one-hour daily highlights show of the 2012 Tour Down 
Under cycle race for Beyond Productions and Channel 9 using their mobile
edit facility.
Planet TV Broadcasts News & Sports with Quantel sQ
Planet TV, Slovenia’s new national commercial TV channel, is launching in November 
2012 with a Quantel Enterprise sQ production system handling its news and
sports programming.
Signiant Delivers the Highlights for 2012 MTV EMA Show
The 2012 MTV Europe Music Awards used Signiant Managers+ Agents file transfer software 
to set up secured delivery of show highlights to London for multi-screen playout.
Cutting Edge Keeps Watch Over Big Brother
Cutting Edge handled the post for reality TV show ‘Big Brother’, 2012 season. The 
intense three-month broadcast period demands a tightly coordinated editing and
finishing workflow.
Vizrt Live Video and Graphics Wrap Up US Election Broadcasts
As results from the US Presidential election pour in, viewers around the world watch 
live video and graphic tabulations produced with thousands of Vizrt Viz Engines.
Blackmagic Fires Up F1 Indian GP Live Broadcast
Broadcast infrastructure based on Blackmagic Design products is providing RF camera 
services to broadcasters televising the FIA Formula One World Championship.
Prime Focus Takes On Stereo 3D Conversion for ‘Frankenweenie’
Richard Baker and Matthew Bristowe from Prime Focus’ describe the creative side 
of post converting ‘Frankenweenie’ using the company’s proprietary process, View-D.
Telemetrics TeleGlide Puts CCTV Nairobi On Air
Controlled Entropy developed an iPad controlled broadcast system based on Telemetrics 
TeleGlide adding network style camera control and production values to CCTV Nairobi.
Grass Valley Ignite Automated Production Wins 2012 Technical Emmy
Grass Valley’s Ignite automated production system has been recognized with a 
2012 Technical & Engineering Emmy Award for the development of event
driven control room automation systems.

































