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Time Warner’s Medialab employs a video capture system to monitor what
test audiences feel through what their faces reveal, using a 22 camera
set-up of Vaddio HD PTZ cameras.
Prana Studios in Mumbai has chosen PipelineFX Qube! to manage its
2,000 node render farm, due to its scalability and compatibility across
Windows, Mac OSX and Linux–based systems.
Filters! enhances iOS camera operation producing imagery for many applications
by adding a range of image control functions applied at the time of capture.
Screen Australia has released draft guidelines for new interactive and
multi-platform programs, committing over $30 million over the next
SUPER BOWL 2013 Method Studios put their CG and animation teams
to work on the perfect showroom robot, relying on precise rotomation
and realistic modelling and rendering.
The Academy Award’s Best Picture winner was shot by cinematographer
Rodrigo Prieto using a combination of ARRI film and digital cameras and
Broadcast media specialist FATS Digital has updated its video format
conversion services to handle Dolby surround sound audio, 3Gb/sec
1080P formats and timecode processing.
First deliveries of the new F Series cameras from Sony have now
started shipping to dealers in Australia and New Zealand.
SUPER BOWL 2013 The Mill in New York completed post work for
Budweiser’s Super Bowl 2013 spot, creating expert 2D effects to
bring emotion and realism to the story of a man and his Clydesdale.
Quantel’s Pablo Rio V2 software increases performance, interactivity
and compatibility in Pablo Rio systems, and their new SynthIA package
handles stereo 3D manipulation in post.
intoPIX has launched its customizable reference applications for JPEG 2000
targeting the smallest 28nm FPGA devices from Altera and Xilinx.
Release 2.0 of Elemental’s video processing software adds HEVC / H.265
encoding, supports JPEG 2000 and ProRes mezzanine assets, and gains
new monetisation options.
Animation studio Brown Bag Films in Dublin is collaborating in real time
on post production with its partner studios around the world using
The Nikon DX-format D7100 DSLR, with 24.1-million pixel sensor and a
new crop image area increasing the angle of view, shoots full-HD video
and supports the newWR-1 transceiver.
CommunicAsia2013 Summit and BroadcastAsia2013 International Conference
will present ideas on Internet consumers, and new links between broadcast
and telecom systems.
Videocraft supplied and handled all video requirements for multi-camera
coverage of a special performance by the band Coldplay, ready for live-
streaming and broadcast.
ARRi is updating and replacing cameras in the ALEXA product line to
include internal ARRIRAW recording, internal ND filtering and a 4:3 sensor.
SUPER BOWL 2013 Brickyard VFX’s Head of CG David Blumenfeld shares
valuable tips on live creature animation after his team animated the
fascinating Adobe Big Game spot ‘Animals’.
Aspera Sync 1.4 and Console 1.7 helps establish high-performance
synchronization and replication of big data file stores, from millions of
individual files up to very large files.
FlyingS3D, a dedicated stereo 3D post production facility, completed
editing, CGI, stereo correction, colour grade and finishing on a 3D
project for Le Crazy Horse cabaret.
Cameras mounted in a completely independent, compact stereo rig
have captured underwater stereo 3D footage from depths of 80m
inside the caves of Mexico.