More Feature Stories
Authority FX in Canada started building their plugins, sold separately instead of as a suite,
as an internal project to fill gaps in their compositing pipeline
The FOR-A DCC-7000 is a new real-time, multi-matrix HD/SD-SDI colour corrector
designed for live sports and post production applications.
Vizrt has launched DigitalGlobe Online that gives Vizrt users access to DigitalGlobe’s satellite
imagery library for use directly in their own content.
Swiss Television unpacked a dozen track and field athletes on Big Ben for the 2012
Olympic Games in London into their national campaign titled ‘It´s Time for London’.
At SIGGRAPH, Imagination Technologies introduced the Caustic Visualizer interactive
viewport plug-in for Autodesk Maya 2013, ready for CPU desktops.
Capturing world-class athletes in action, ‘Beat 2012’ is a documentary chronicling
Mark Ronson’s creation of Coca-Cola’s anthem for the 2012 Summer Games.
DigiSPAA independent digital filmmaking competition has partnered with the American
Film Market as part of the prize pool for the winner of this year’s SPAArtan Award.
Following an agreement between Deluxe Australia and Omnilab Media, Deluxe Australia
will acquire Iloura, Digital Pictures, Cornerpost, Flagstaff, Boffswana and PAX Entertainment.
Expert Art Directors take you behind the scenes for a close-up look at the design
processes and tools behind a variety of film and stage productions.
IBC Atomos is showing Ninja-2 and Samurai field recorders and Connect converters
in use with several different DSLRs, camcorders and cinematic cameras at IBC.
Action Sports Productions now uses a workflow based on AJA Io XT with Thunderbolt and
ToolsOnAir to produce live HD webcasts for action sports events.
Animal Logic has expanded its advertising creative team with the addition of director
Simon Robson and VFX supervisor and lead Flame artist Jonathan Hairman.
Colourist and online editor Juan Salvo finished and colour corrected the wildly
viral Cookie Monster music video ‘Share it Maybe’ using Blackmagic Design’s
DaVinci Resolve 9.
IBC Colorfront is now shipping Express Dailies on-set dailies system for commercials,
movies and broadcast with wide support for digital cinema cameras and deliverables
IBC OASYS automated playout will demonstrate on-the-fly software setting adjustments
at IBC 2012 that result in instant, live broadcast configuration changes.
IBC Cooke Optics will bring a prototype of a 65mm lens for their Panchro range of lenses
to IBC 2012, with products from its three ranges - S4/i, Panchro/i and 5/i.
Lead Lighter Drew Wood Davies at Iloura in Mebourne talks about working on the
lighting pipeline for some of the facility’s recent feature film projects.
Rob O'Neill, ANZ Creative Finishing Specialist, leads a live webinar to show functions that
set Smoke apart with true 3D for effects, compositing and stereoscopic projects.
Sony will host cinematographers and directors of photography in Melbourne and Sydney
at an information night on the new 4K-ready NEX-FS700.
Sky TV webcasters handled a live broadcast of the 2012 USA Water Polo Junior Olympics
using a workflow based on Sony HD cameras and Blackmagic Design ATEM switchers.
Second Sight Video in the UK, working on a recent brand experience event for SKODA UK,
tested the AJA Ki Pro recorder to deliver live and recorded concert footage from DJ Tiesto.