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The Blackmagic Production Camera 4K has a Super 35 size
sensor with a global shutter, EF mount optics and CinemaDNG
RAW and ProRes 422 file recording.
FOR-A showed their new FT-ONE 4K super slow motion camera
at NAB Show 2013, with compact MXF clip servers for very
diverse ingest, playback and playout.
Stagebox is a camera-mounted device that enables programme
makers to link multiple cameras and move HD content over a
standard internet network.
Nevion and Artel Video Systems’ successful interoperability tests
at NAB 2013 ensure the compatibility of their equipment for
transporting video signals over IP networks.
At NAB 2013, customers´ use of Grass Valley STRATUS, LDXCameras
and live production systems show how these products work in
LA studio Lightdog Films is using NVIDIA Maximus increase the speed
and volume of development iterations, aiming for more competitive
VFX renders and looks.
FilmLight has improved integration and on-set control within its
grading pipeline with new products, while customers have been
using FilmLight systems with new techniques.
NAB Producer/Director Bryan H Carroll used the Codex
Onboard S recorder and Vault to support Canon C500
shooting 4K at 120 fps.
NAB Cortex::Control Dailies Starter Edition v1.2, adds the
ability to transcode to watermarked QuickTime files accessing
Dailies’ tools including colour and synchronization.
NAB Three post production facilities, in Canada, Australia and
the US, talk about using Facilis TerraBlock storage in editing
and finishing pipelines.
NAB Red Giant BulletProof is an offload, prep and delivery
application that simplifies many on-set tasks filmmakers, to
bridge the gap between camera and editor.
NAB ALEXA XT cameras come with the XR Module, allowing
in-camera ARRIRAW recording up to 120 fps onto fast, rugged
512 GB XR capture drives.
NAB The first three focal lengths, 35 mm, 50 mm and 75 mm,
of the ARRI/ZEISS Master Anamorphic lens series are fast and
compact, capable of shooting at T1.9.
NAB Digital Vision’s Nucoda 2013 colour grading refines its ACES
workflow, and integrates with MTI Cortex Dailies. New Thor
can process HD and 4K video in real-time.
NAB Matrox MXO2 I/O devices and Mojito MAX I/O card will
support 4K monitoring and tight integration with the upcoming
Adobe Premiere Pro and SpeedGrade.
NAB Cache-A archiving has been updated to LTO-6 and are
in use in TV broadcast, on-set production, higher education
and music venues.
NAB New CloudSpeX software validates media file delivery
formats prior to transfer, and new tools in Media Shuttle
control and configure high-value file sharing.
NAB Telestream’s Vantage transcoding systems are now ready for
file-based IPTV and cable VOD, cloud access, and integrated
with Avid Interplay MAM, Aspera faspex and VidChecker QC.
NAB Technical teams from Cooke Optics and Thales Angénieux
have been sharing designs of their respective new anamorphic
NAB Squeeze 9 now includes HTML5 optimization and publishing. It also has a
more intuitive user interface, higher video quality and speed, and quicker
review and approval functionality.
NAB New DaVinci Resolve 10 allows integration of post workflows,
new on-set tools, upgraded editing and colour correction and
OpenFX plug in support.