QTAKE HD Video Assist software now has five new modules adding
virtual camera and multi-camera editing and playback functions, and
comes in a lower-cost QTAKE LITE bundle.
Director Seth Worley and producer Aharon Rabinowitz made ‘Spy vs
Guy’ with the help of Red Giant BulletProof offload, prep and delivery
software and Dell workstations.
Editorial facility Red Echo Post, working in commercials and film in
Cincinnati, has purchased the FilmLight Baselight ONE colour grading
system to extend its in-house services.
At this Autodesk Smoke 2013 seminar, editors can learn how to update their
workflows with effects and finishing tools without round tripping between
NAB Media Composer 7 allows editors to work directly in HD
from high-resolution sources, while keeping creative control
over image framing.
EBH Polska post house recently helped complete ‘Mission: Afghanistan’, an
action series shot in extreme conditions for CANAL+, recording Sony F3
footage on two AJA Ki Pro Minis.
NAB Dalet Media Life is now the core production, MAM and
integrated distribution system for Tecnologico de Monterrey
Virtual University in Mexico.
The new Matrox unified Mac driver now supports Adobe, Apple and Avid editing
applications, for Matrox MXO2 I/O and H.264 encoding devices, and the Mojito
MAX I/O card.
Roman Coppola’s new film ‘A Glimpse Inside the Mind of Charles Swan III’
was a chance to develop an calibrated ProRes grading workflow between
American Zoetrope and SPY.
NewBlue Video Essentials VI for editors has over 100 presets in 10 different
effects plugins. All of these integrate directly into major NLE applications.
The editing team at My Little Eye in the UK changed from Mac to
HP and NVIDIA hardware, and from Final Cut Pro to Premiere Pro
while cutting the ‘Abbey Road Studios’ TV series.
After an active trial and development period through 2012, Autodesk Smoke
2013 is shipping, with top-level video editing and FX tools within a unified
FlyingS3D, a dedicated stereo 3D post production facility, completed
editing, CGI, stereo correction, colour grade and finishing on a 3D
project for Le Crazy Horse cabaret.
eyeon Connection version 1.5 has shipped, linking the AVID editing and VFX
workflow with Fusion’s tools via the AVID AVX2 architecture.
German producer GrundyUFA and FilmLight have been working on
on-set colour management to help maintain the decisions made on
set through to finishing.
Autodesk hosts new webinar with Rob O’Neill and a guest presenter from post
studio Concrete Wednesday, finishing a TVC project in Smoke 2013.
Divergent Media ScopeBox version 3.2 improves on LUT format support,
has a hands-free application startup and new vectorscope overlay to suit
colourists and camera operators.
Thinkbox Software’s Cinelab is a new video app with simple video editing functions
for Windows 8 tablets, mobile devices and desktop computers.